ARTISTIC FORMS OF EXPRESSION OF EMOTIONAL STATE IN UKRAINIAN MEDIEVAL LITERATURE

Abstract

The article defines and qualifies artistic forms of expression of emotional state in the Ukrainian medieval literature (XI–XV centuries). The specificity of the expression and expression of emotion or emotional state in the works of Ukrainian literature of the medieval age is that the authors of the scumbag for emotions, rarely resort to the image of emotional states, which can be explained by the Christian restraint and peculiarity of the ruling at that time styles and genres. The analysis of literary monuments gives grounds and arguments in order to highlight several forms of emotional state. Meditation as a form of internal broadcasting is presented in chronicles (prayers of Prince Vladimir, his sons Boris and Gleb), in the teachings and sermons of Feodosiya Pechersk, Serapion, Cyril Turovsky.Paphos, pathetic style is full of literary monument “Memory and Praise” Mona Jacob (XI centuries), which became famous for Prince Volodymyr, who crist Rus. Metropolitan Ilarion in the “Word of Law and Grace” will be similar to such praise. Pathetic style is achieved through rhetorical techniques. In general, Patetic appeared “The Word of Igor Hiking” of an unknown author. Exaltation in the works of the Ukrainian Middle Ages is achieved in prayers, when even traditional phrases acquire emotional expression, and stylistically designed broadcasting creates a powerful manifestation effect. One of the religious feelings – movement – was transmitted in fats, sermons, teachings and chozhye. In ancient Ukrainian monuments, such forms of emotional state are monitored as fear of God, love (to the Lord and Middle), Faith (Christian). The Ukrainian medieval literature shows the most important emotional states of the person who transmit religious feelings and aspirations are reflected. This refutes the traditional opinion that the Middle Ages were gloomy, detached from life and from the emotional sphere of man. Medieval writers depicted a person in her life situations capable of causing certain emotions that had a specific color, corresponded to the ideological benchmarks.