FEATURES OF GRAPHICAL STYLISTICS IN THE EXPERIMENTAL NOVEL “HOUSE OF LEAVES” BY MARK DANIELEVSKY

Abstract

In delving deeper into the examination of graphic means within Mark Danielewski’s experimental novel “The House of Leaves”, it becomes evident that the author employs a myriad of unconventional techniques that challenge established literary norms. The deliberate departure from traditional conventions is a recurring theme throughout the novel, capturing the reader’s attention by subverting their accustomed expectations. These graphical means serve as a narrative device, pushing the boundaries of storytelling and prompting readers to engage with the text in a more dynamic and immersive manner. The article underscores the significance of these graphical deviations by emphasizing their ability to disrupt the expected reading experience. By violating conventional norms, such as featuring a single word on a page, employing inverted text, incorporating or excluding punctuation strategically, Mark Danielewski compels readers to actively participate in the construction of meaning. This heightened engagement fosters a deeper connection between the reader and the narrative, transcending the conventional limitations of the written word. One of the critical aspects explored in the analysis is the diverse visual representations of the text. The inclusion of a solitary word on a page, for instance, not only challenges traditional formatting but also forces the reader to linger on that word, extracting nuanced meanings and implications. Inverted text introduces an additional layer of complexity, demanding readers to decipher and decode the narrative in a manner that goes beyond the conventional left-to-right reading approach. The deliberate inclusion and exclusion of punctuation become tools through which the author controls the pacing and rhythm of the narrative, shaping the reader’s emotional and intellectual response. The relevance of this exploration lies in the insufficient attention given to the role of graphical stylistics in text perception. In the contemporary literary landscape, where experimentation with form and presentation is increasingly valued, understanding the impact of graphical means becomes crucial. The article asserts that by comprehensively examining the logical sequence of these graphical means and studying their influence on the overall text, scholars and practitioners alike can unlock new dimensions of storytelling. This understanding, in turn, contributes to the more effective utilization of graphical means in experimental novels, pushing the boundaries of literary expression and enriching the reader’s experience. The analysis of graphic means in “The House of Leaves” unveils a deliberate and thoughtful approach to storytelling that extends beyond the confines of traditional literary norms. Mark Danielewski’s experimental use of graphical means not only challenges readers but also opens up exciting possibilities for the future of narrative expression, emphasizing the profound impact that visual and graphical choices can have on the interpretation and reception of a literary work.