THE LINGUISTIC WORLDVIEW SPECIFICS OF THE SYSTEM OF ARTISTIC MEANS IN THE POETRY BY SERGEI ZHADAN

Abstract

Lately the poetic text researchers have been concentrated on the study of linguostylistic means that reflect an author’s objective picture of the world. Every poet uses some certain linguistic peculiarities of his own world perception. He does not just take a photo, interprets the world with the help of linguistic symbols but creates his own mental picture of the surrounding. Linguostylistics of Ukrainian writer Sergiy Zhadan is an outstanding one within modern literary process due to its author’s professionalism in artistic linguistic means creation, broad semantic meaning of the world picture and the depth of philosophic understanding of concept load of the poetic system creation. S. Zhadan’s linguistic creativity is characterized by deep reality perception and specific representation of inner feelings as a reflection to the outer world by individual, true author’s artistic language means of the poetic text. A language sign becomes a unity of real and unreal interaction in the author’s mind. In S. Zhadan’s artistic world picture creation the specificity of semantic meaning of individual author’s language means is vividly seen: epithets that are the peculiarity of aesthetic poetic language of the author have a complicated logicalsemantic basis: similes based on the notions comparison, imagery parallelism, associational connections; metaphors which in the artist’s poetry realize the biggest productivity of the secondary nominations in the process of the world picture creation and reflect the slightest and brightest hues of people’s psyche. Interpretation of the freedom concept is nontraditional for the conceptual author’s world picture. In S. Zhadan’s creative works freedom becomes an individual responsibility for his fate, other people’s fate and the fate of the humanity on the whole.